Authors:
- lloyd (32)
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Recent Posts:
- Achieving Tone Potential Using Balanced Onsets
- The Soprano Voice in Choral Music
- Extending the Range of the Female Voice
- Female Vowels Above the Treble Staff
- Breath Management and Posture
- Voice Placement Sensations
- Enunciation and Consonants
- Vocal Vibrato Problems and Wobble
- Vocal Timbre and Vocal Projection
- Male Vocal Fold Function, low to high
- Maintaining Epigastric Position While Singing
- Placement versus Formant Tuning Using the Vowel-Mirror
- Balanced Onsets
- Being Heard Up Close or Far Away
- What Causes Vocal Cracking?
- Female verses Male Resonance Strategies
- Passaggi, Registers, Vocal Folds and Standing Waves
- Classical and Belting Resonance Stratgies
- Female and Male Primo Passaggio
- Breath Management Two
- Bio-feedback to improve vocal quality
- Breath Management
- More on Formants
- Handkerchief Vowel Humming
- More about Lip Trills
- Semi-occluded Exercises
- Articulation for Coloratura
- Vowels and Singer’s Formant
- Male Voices and the Singer’s Formant
- Squillo and the Singer’s Formant
- Voice Size and the Ability to be Heard
- Soprano Formant Change