The Soprano Voice in Choral Music The soprano voice can easily overcome any choral sound especially if it has a basically flute quality. Consider the orchestra; 2 or 3 flutes against 30 to 45 strings. That has become the accepted balance of sounds yet the flute does not produce a tone louder than a violin. […]
Extending the Range of the Female Voice
Extending the Range of the Female Voice I suggest work on balanced onsets until the student can do them easily and consistently . The onset exercises in Miller’s “The Structure of Singing” works for me but I more often now make up my own as seems to be needed by the student. Keep in mind […]
Female Vowels Above the Treble Staff
Females Voice Reduced Vowel Usage Above Treble Staff. About soprano high Cs. This would be designated as a C6 if middle C is designated as a C4. No voice can sing the vowel in “Tod” on a pitch that high. The only vowel available to any voice on that pitch is the vowel “ah” (In […]
Soprano Formant Change
If the soprano wishes to maintain or increase vocal intensity on an /a/ vowel in the range from about E5 and up, all-the-while keeping a vocal quality that closely matches her quality below these notes, she must gradually open her mouth as she ascends above E5. Acoustically she is tuning the first formant of her […]